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CHILE AMASA SU PANNATASCHA DE CORTILLAS DIEGO

(CHL)

Projection, territory, bread, history

Raising questions about local biopolitical stakes where the socio-cultural backgrounds threads are woven together through the act of “kneading”, Chile amasa su pan (Chile kneads its bread)is a malleable play. Each location where the action takes place depicts, depending on territorial logics, a singular view.No cohabitaras con animals (You will not coexist with animals)is an intimate and moving video performance about the “Madres” grief. Missing inmate’s mothers and daughters, they search for their loved ones’ bones in the Chilean desert. “Death Caravan” is the name given to the infamous part of the Chilean army that roams the country in 1973 under the orders of Augusto Pinochet, reviewing and speeding up the inmates’ trials after the military coup. 97 political prisoners were murdered or disappeared by the end of the operation.

Artist and researcher Natascha de Cortillas elaborates her work through culinary actions and interventions, that use visual arts codes and formats to formulate questions about the various local supply, market and culinary identity systems. This allows her to claim that all artistic approaches are centred around communal practices and being together. Part of the Colectivo Mesa8 working on the link between art and society, she also teaches at Concepciôn College (Chili) where she project-manages Penguista’s cultural stage.